The UNTITLED art fair is the new kid on the Basel block. It's the event’s first year.
The fair itself has a distinctly South Florida feel to it. The large, airy white tent has soft, filtered lighting and looks out over the ocean. Adding to the Miami vibe are the girls wandering around promoting various kinds of alcohol by handing out freebies.
Among them were the Hendricks gin girls, Jacqueline Sanabia and Kezia Linden, who, I thought, were wearing some pretty snazzy little hats.
A vibrant photograph of a very young Michael Jackson with poetry written within his afro. A spirited oil painting of Bob Marley. A bust of an African woman in ceremonial headdress. A moving fresco featuring a ghostly Bill Clinton surveying the devastation in Haiti.
Those are just a few of the pieces on view at Art Africa Miami.
The exhibition, in the heart of historic Overtown, is dedicated exclusively to the artwork of the African Diaspora.
Art Basel 2012 has crammed Miami Beach's streets with natives and foreigners from all around the world. Interesting and unfamiliar accents flood the Basel galleries. These notorious exhibits are sparking up all sorts of comments from event goers . Below are selected twitter feeds from the trends #overheardatbasel and #artbaselproblems.
If you hear the words experimental music, you might not think of robots, cyborg belly dancers, old-style televisions morphed into synthesizers, or a human beatbox. But this is exactly the eclectic mix that The Street: Festival of Electronic Music, Art, and Performance purports to offer on a Wynwood sidewalk during Art Basel.
Early Thursday, I was forecasting the long day and night ahead of me and came up with a plan: I would wander the Miami neighborhood of Wynwood for the night, and I would blog about it. The specific assignment that I gave myself was to comb one block, and write a profile of all the street art and the happenings that I would bear witness to. One block. One story. No big deal.