Caroline Breder-Watts and critic and author Scott Eyman discuss the work of legendary film composer Ennio Morricone. To learn more about Scott Eyman, visit www. scotteyman.com. To hear the complete conversation, log onto www.artsradionetwork.com.
Art that has been coming out of the urban core is often heavy on portraiture – characters, friends, family portrayed in both raw settings and historical and cultural context – especially in painting, especially from African-American artists. The work of Houston’s Robert Pruitt, currently showing at General Audience Presents up in North Miami, is one such example. But Miami has always lacked a strong black artistic infrastructure, and therefore we haven’t seen much significant work coming out of the community (with some notable exceptions). Enter the up-and-coming T.
The legendary choreographer George Balanchine once said, “ballet is woman,” and that seems to be the case, considering the scarcity of boys aspiring to become ballet dancers compared to the legions of girls. But of the girls who grow up to become top dancers, few have actually graduated into the upper levels of leadership.
Love or hate Miami, the subject inspired so many beautiful, thoughtful and sometimes even funny verses for our "That's So Miami" project. It was impossible for us to pick the best. So we asked you to do it!
Based on your online votes, here are the five category winners and their poems:
Best Ode to Miami Spanglish - Lauren Fernandez, Miami
Exciting and Extravagant. Guajiros in Bentleys. Tostones and Champagne. That’s so Miami.
Best Ode to Miami Food - Cristina Rodriguez, Miami
In 1998, the cultural climate in Cuba wasn't exactly conducive to artistic freedom. While a thriving underground music scene did exist, official radio and television channels were notoriously selective, only airing artists who echoed the Communist Party line.
Actor Colin McPhillamy is finishing up his run in Exit the King at Palm Beach Dramaworks in West Palm Beach. He is also a published author, and reads an excerpt from his second book, An Actor Walks into China. To learn more about Colin, visit www.mcphillamy.com, and to hear more excerpts, log onto www.artsradionetwork.com.
I was sitting on the verandah of a hotel overlooking Waikiki beach waiting for a lunch menu. The mighty Pacific Ocean purred like a Lamborghini in the distance. I'd spent hours walking in Chinatown from early morning looking for beautiful and unique dishes I love to use for the thematic ‘Tasting Menus’ at our restaurant. But I had little luck and a keen hunger was rising up in me.
Miami's quickly growing bike scene remains tightly interwoven with the city's other do-it-yourself-spirited, artsy subcultures.
Sure, there are plenty of people with fancy road bikes and Lycra suits joining Critical Mass and speeding along on group rides. But a large number of the scene's most outspoken two-wheelers are young people who push for bicycling less as an exercise form per se.
This weekend, you might notice that the humble coaster beneath your drink has a surprising message. Unlike the fool sitting next to you at the bar, the verses on your coaster are lucid, articulate and wise.
I spent a recent night watching a performance of the New World Symphony being broadcast on a wall at the New World Center. As the symphony performed inside, the video played simultaneously on a soaring, 7,000-square-foot projection wall on the building’s façade. It was a dazzling night, with hundreds of people speaking multiple languages gathered on blankets and chairs, toting picnic baskets, children and pets.