Alicia Zuckerman

Editorial Director

Alicia began making radio as a 7-year-old in rural upstate New York using two cassette recorders and appropriated material from Casey Kasem’s American Top 40. Twenty years later, she began her real-world radio career as a reporter and producer for NPR’s On the Media.

Her reporting has aired on NPR, American Public Media, and Public Radio International, including The World, Studio 360 and This American Life. Alicia is the founding producer of WLRN’s award-winning weekly public affairs program, The Florida Roundup, as well as the co-creator of Under the Sun on WLRN, the award-winning series of feature stories, interviews, audio postcards, and original fiction.

Among the artists she has interviewed for WLRN are Michael Tilson Thomas, Dawn UpshawMark Morris, Tom Wolfe and They Might Be Giants. Before coming to Miami, she covered arts, culture, and breaking news for WNYC in New York City, where she reported on Carnegie Hall, puppet opera, arts education, Hungarian strudel, strong cheese, two presidential elections, and nuclear power.

She was also the lead classical music and dance reporter at New York magazine. She has also written for the Miami Herald, Details magazine, Dance magazine, Symphony magazine, Jazziz magazine, and others. Her online reporting has appeared in the New York Times, the Huffington Post, Tablet and Electronic Music Foundation, which she helped launch.

Alicia holds a B.A. from the University at Albany (New York) where she studied English and music, and a master’s degree from the Columbia University Graduate School of Journalism.

She was a 2013 USC Annenberg/Getty arts journalism fellow. In 2013, she won the Edward R. Murrow award for large market feature reporting for Her Own Little Paris. She co-hosted and co-produced the WLRN radio documentary, Remembering Andrewwhich won bronze at the 2013 Third Coast International Audio Festival, sometimes referred to as "the Sundance of radio."

Ways to Connect

Simon Cocks / flickr

What are you reading? WLRN wants to know — and we'll share what we, and other people in the South Florida community, are reading every week in this space.

Tell us what you're reading by replying in the comments, or tweet us @WLRN with the hashtag #FridayReads .

Pablo Cartaya, author of The Epic Fail of Arturo Zamora

Grove Atlantic

Patricia Engel has the extremely familiar story of having come to Miami for what she thought would be a year -- 13 years ago.

Daniel Azoulay / Miami City Ballet

Patricia Delgado was 11 years old the first time she walked into the Miami City Ballet studios to take class. Her sister Jeanette was nine.

Pat Farrell for Knight Foundation

 

 


Alex Markow Photography

Sam Hyken and Jacomo Bairos first got turned on to Frank Zappa not from classic albums like "Weasels Ripped My Flesh" or "Shut Up 'N Play Yer Guitar," but by playing his orchestral music when they were students at Juilliard (at different times).

Long before Joshua Johnson was on the air as a reporter here at WLRN during the early days of our partnership with the Miami Herald, he'd spend his Friday afternoons on the Jack Cole Show on WJNO in West Palm Beach, where Johnson grew up. He was 14 then, and he knew right away that radio was what he wanted to do.

This month, Johnson took over the microphone where Diane Rehm left off, with his new national show 1A from NPR and WAMU in Washington, DC. On WLRN, it airs every weekday at 10 a.m.

South Florida Stories, In 6 Words

Nov 16, 2016
Katie Lepri / WLRN

Would you be able to encapsulate all the wonders/horrors/comedy/tragedy of living in South Florida in just six words? 

Well, that's precisely what we asked our audience to do in the #6WordsMiami project, our latest collaboration with the Miami Book Fair.

Family of Larry Rosen

Larry Rosen was always looking for his next big project. A decade ago, he'd recently finished producing a series for PBS, "Legends of Jazz with Ramsey Lewis," but he was not a guy interested in taking a break. The Adrienne Arsht Center for the Performing Arts was new and, as usual, Rosen saw an opportunity: bring jazz to the gleaming new concert hall, one with acoustics that could be adjusted to different kinds of music. 

David Bornfriend / Courtesy of A24

This interview was originally published on October 26, 2016. 

When director Barry Jenkins was looking for ideas for a new film, his friends at the Borsht Film Festival thought of the work of another Miami native, the playwright  (and MacArthur Genius) Tarell Alvin McCraney.

David G. Zuckerman

This morning, I woke up to vindication. It came in the form of a news alert on my phone telling me that Bob Dylan is now a Nobel Prize winner in literature. Not that I needed vindication so many years after the incident at my high school graduation. OK, maybe I did because I immediately wondered if the early 1990s-era administration of Minisink Valley High School in New York State got the same alert.

Alicia Zuckerman / WLRN

We originally ran this story last year when Dance Now Miami first performed Edward Stierle's "Lacrymosa." The ballet was a response to the 1980 AIDS crisis and stands as its creator's own requiem. The company will perform the ballet again on Monday, May 29 at the Colony Theatre on Miami Beach, in conjunction with the World Out Games, which celebrates LGBTQ sports and culture. This year, the lead role will be danced by Harold Berry.

Alicia Zuckerman / WLRN

Judy Blume's latest book, “In the Unlikely Event,” came out in paperback this week. So we're bringing back this hour, which we produced when the book first came out last year. 

Siggi Bachmann

There was a time in the life of New World Symphony co-founder and artistic director Michael Tilson Thomas when he was at a crossroads. He was in his late twenties and early thirties and finding a lot of success as an emerging conductor. He had been assistant conductor with the Boston Symphony Orchestra, then principal guest conductor. He was conducting other orchestras all around the world.

rrjones

The Cleveland Orchestra is performing the world premiere of Avner Dorman's "Siklòn," inspired by the mélange of Miami cultures and the way this place reminds the Israeli composer of Tel Aviv. The piece was commissioned to mark the 10th anniversary of the Adrienne Arsht Center for the Performing Arts and its 10-year partnership with the Cleveland Orchestra.

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