Broward Center

Wilson Sayre

The Salvation Army of Broward County has opened the doors to a new facility that could help up to 45 people every night. But the cots at the Open Door Shelter are more about building trust than getting sleep.

Alyse Gossman is the volunteer coordinator for the Salvation Army in Broward County.

Gio Alma/Miami City Ballet

Miami City Ballet for the first time is dipping its (bare) toes into the work of famous Spanish choreographer Nacho Duato this Friday. The work, “Jardi Tancat,” is a soulful and lyrical piece, performed in barefoot to Catalán folk music. It is one of four works making up the ballet’s Program II, See the Music.

Miami City Ballet artistic director Lourdes Lopez has made bringing new works to the company one of her priorities.

courtesy of Seraphic Fire

When Mozart died, he left unfinished one of his most famous pieces of work: the "Requiem Mass in D Minor." Now, local classical-music group Seraphic Fire is completing it.

"Requiem" was commissioned by a baron who was known for buying musical works and passing them off as his own. But in December of 1791, Mozart died before making good on the buy.

Steven Caras/Miami City Ballet

Miami City Ballet’s season opens the evening of Oct. 18 at the Adrienne Arsht Center with Ballo della Regina, a technical feat of precision and speed, with lots of fast turns, hops on point and at times a combination of the two. The ballet, set to music from Verdi's Don Carlo, is so difficult that it’s not widely performed because many companies don’t have the dancers to pull it off. 

"Like Champagne"

Courtesy of the Adrienne Arsht Center

Between South Florida’s companies and performing arts centers, the classical music calendar can fill up fast.

The Broward Center for the Performing Arts has become an important part of South Florida's cultural landscape.  Here's some memories from two people who have long  histories with this organization.

Eric Barton

Chances are you have a friend who forces you to make excuses for him. He’s just not good in big crowds. Or he’s like that because of the tough boss he has at work. He’s late all the time, but then, he’s just from Miami.

Living in Fort Lauderdale is like having one of those friends. It’s a city that’s often the punch line of a joke in a state that just can’t seem to stay out of late-night monologues.

Gaston de Cardenas

For opera newbies, there's a lot that's surprising about the Florida Grand Opera's production of The Magic Flute, which arrives this week at the Broward Center for the Performing Arts. Director Jeffrey Buchman's conception of the 1791 Mozart work turns the whole thing into a trippy pop-culture anachronism, with costumes, scenery, and a little stage patter that's somewhere between the rockabilly '50s and all-out fantasy-land.