Actor Colin McPhillamy is finishing up his run in Exit the King at Palm Beach Dramaworks in West Palm Beach. He is also a published author, and reads an excerpt from his second book, An Actor Walks into China. To learn more about Colin, visit www.mcphillamy.com, and to hear more excerpts, log onto www.artsradionetwork.com.
I was sitting on the verandah of a hotel overlooking Waikiki beach waiting for a lunch menu. The mighty Pacific Ocean purred like a Lamborghini in the distance. I'd spent hours walking in Chinatown from early morning looking for beautiful and unique dishes I love to use for the thematic ‘Tasting Menus’ at our restaurant. But I had little luck and a keen hunger was rising up in me.
Miami's quickly growing bike scene remains tightly interwoven with the city's other do-it-yourself-spirited, artsy subcultures.
Sure, there are plenty of people with fancy road bikes and Lycra suits joining Critical Mass and speeding along on group rides. But a large number of the scene's most outspoken two-wheelers are young people who push for bicycling less as an exercise form per se.
This weekend, you might notice that the humble coaster beneath your drink has a surprising message. Unlike the fool sitting next to you at the bar, the verses on your coaster are lucid, articulate and wise.
I spent a recent night watching a performance of the New World Symphony being broadcast on a wall at the New World Center. As the symphony performed inside, the video played simultaneously on a soaring, 7,000-square-foot projection wall on the building’s façade. It was a dazzling night, with hundreds of people speaking multiple languages gathered on blankets and chairs, toting picnic baskets, children and pets.
It's almost a chicken-and-egg question. Do reporters and hosts with worldly or intellectual-sounding names naturally seek out public radio? Or are they drawn to this career after recognizing their fellow fancy-monikered peers on the air? Either way, among the staff at National Public Radio there are definitely a lot of fancy first-and-last-name combos like Ofeibea Quist-Arcton and Douali Xaykaothao.
All month long, WLRN and our partners at O, Miami Poetry Festival have been collecting poems either starting or ending in "That's So Miami" and compiling them on our Tumblr page. We have seen some amazing poems, and as the month begins to wind down, we decided to put the best theme poems up for a vote.
The Daniel Lewis Miami Dance Sampler was a mixed bag of performances that introduced audiences to contemporary dance, ballet, new flamenco and traditional African dance forms. The performances, billed as six- to eight-minute samplers, highlighted the scope of dance talent that exists in Miami. Produced by Dance NOW! Miami and Miami Dance Futures, the goal of the sampler is to give local talent exposure and to expose audiences to dance forms that they wouldn’t normally seek out.
All month long, WLRN and our partners at O, Miami Poetry Festival have been collecting poems either starting or ending in "That's So Miami" and compiling them on our Tumblr page. We have seen some amazing poems, and as the month begins to wind down we have decided to put the best of these poems up for vote.
It's lunchtime in the heart of Sao Paulo's financial district. Surrounded by tall buildings of cool glass and steel, men and women in suits and business attire walk back and forth busily in Brazil's largest city.
Standing amid the bustle is Leticia Matos — who is, for want of a better word, a crochet artist. She couldn't look more different from the people around her.
Wearing a short-sleeve shirt and covered in bright, quirky tattoos, Matos is at work, too. About a year ago, she says, she got the idea for her project while knitting and crocheting with her friends.