08/29/14 - Next time on South Florida Arts Beat, contributor Judith Bishop catches up with Executive Director and Chief Curator extraordinaire, Bonnie Clearwater, of the Nova Southeastern University - Museum of Art Fort Lauderdale. Contributor Charles Greenfield speaks with the new, interim dean of the FIU School of Music, Dr. William Hipp. Chef Norman Van Aken serves up A Word On Food and our Broward arts calendar features Jody Horne-Leshinsky, Assistant Director of the Broward Cultural Division.
Play the video above. The song starts with sandy synths and bass worthy of any indie-electronica act coming through Bardot, until about 24 seconds in. The beat skips a bit and the bass gets harder beneath the first bar of Fuete Billete's rap.
Originally published on Tue August 12, 2014 11:16 am
For many years, Robin Williams seemed like a talent who had no off switch.
From his standup comedy work to TV roles to talk show appearances to Oscar-caliber movies and performances on Broadway, Williams was a dervish of comedy — tossing off one-liners, biting asides and sidesplitting routines in a blizzard of accents, attitudes and goodhearted energy.
This weekend, the New York Times published an essay by Pamela Druckerman, a former Miamian, that was part jab at the "vapid" city where she grew up, and part backhanded appreciation of Miami's cultural developments since the 1970s.
Jacqueline Hernandez-Llach hides her face behind a sign which reads “One year later... still no justice for Reefa.”
Her green eyes can’t keep the tears from rolling down her face as she begins to speak Wednesday night at the vigil for her son, 18-year-old Israel Hernandez-Llach.
“I can’t believe that it’s possible for 12 months to have gone by without any new information,” she said. “Every day that goes by I feel more pain, I think that State Attorney Katharine Fernandez Rundle wants to let the situation fade away.”
The recurring image of a pierced heart in a gallery at the NSU Museum of Art Fort Lauderdale is almost certainly coincidental. But former Miami Herald art critic Helen Kohen says for this exhibit, titled "The Miami Generation: Revisited," the motif is fitting.
"It’s an enormously strong symbol of a huge change in your life and a huge switch-over,” says Kohen. “To lose their native land. To be an exile."