The legendary choreographer George Balanchine once said, “ballet is woman,” and that seems to be the case, considering the scarcity of boys aspiring to become ballet dancers compared to the legions of girls. But of the girls who grow up to become top dancers, few have actually graduated into the upper levels of leadership.
The Daniel Lewis Miami Dance Sampler was a mixed bag of performances that introduced audiences to contemporary dance, ballet, new flamenco and traditional African dance forms. The performances, billed as six- to eight-minute samplers, highlighted the scope of dance talent that exists in Miami. Produced by Dance NOW! Miami and Miami Dance Futures, the goal of the sampler is to give local talent exposure and to expose audiences to dance forms that they wouldn’t normally seek out.
It's lunchtime in the heart of Sao Paulo's financial district. Surrounded by tall buildings of cool glass and steel, men and women in suits and business attire walk back and forth busily in Brazil's largest city.
Standing amid the bustle is Leticia Matos — who is, for want of a better word, a crochet artist. She couldn't look more different from the people around her.
Wearing a short-sleeve shirt and covered in bright, quirky tattoos, Matos is at work, too. About a year ago, she says, she got the idea for her project while knitting and crocheting with her friends.
Sure, logging a stint with South Florida's largest theater company's rigorous high school mentorship program looks good on a college application. But the Maltz Jupiter Theatre's Youth Artists' Chair is about much more than beefing up a resume.
Discussions of South Florida artist enclaves and art incubators typically reference places like Wynwood in Miami, FAT Village in Fort Lauderdale, or downtown Boynton Beach. Rarely do the Everglades enter into the conversation. Artists in Residence in the Everglades (AIRIE) could change that.
South Florida artist Virginia Erdie strives to be "a little bit of an activist" with her work. It's fitting, then, that her art has ruffled a few feathers along the way. Her next major installation almost didn't see the light of day.
When Art Basel came to Miami Beach in 2002, I couldn’t have been happier. I was about to graduate from the Maryland Institute College of Art and had plans to return to Florida. It seemed this was the place to be – outside of New York, that is. Over the years, Art Basel has grown, with satellite shows and pop-up galleries expanding throughout Miami.
If you’ve ever donated an old coat or a dress, or even pair of socks, to a thrift store, there’s a chance it ended up in the Saatchi Collection in London. That’s because the Miami-based duo, Guerra de la Paz, makes thrift store throwaways into art.
Alicia Zuckerman went with them to their “art supply store,” as they call it, so they could show her how come up with their creations.
“Our cars get dented form being parked on the street, and faded from sitting in the sun,” says Nancy Klingener in this essay on bike culture in Key West. “But our bikes, we take care of them… ” Their bikes are so beloved, some people paint them up into “art bikes,” like the ones in these photos. These are all painted by Key West artists for a show at The Studios of Key West , and ridden in the Fantasy Fest parade.
Hundreds of Miami-Dade middle and high school students listened to “Two Pianos” by Morton Gould. Afterwards, they wrote poems inspired by the music. It was part of a contest called the Piano Slam. The point is to inspire young people, using classical music, to create their own forms of artistic expression.