Fresh Air on Xtra HD

Weekdays at 3:00pm
  • Hosted by Terry Gross

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

Screenwriter Scott Frank has written movies in a all kinds of genres, including crime noir (Get Shorty), thriller (Malice) and action/adventure (The Wolverine). But despite his extensive list of credits, he always felt there was one genre missing.

"I wanted to write a Western at some point in my career," he says. "I kept putting it off and putting it off, because they were very difficult economically to make in Hollywood."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

The characters in the films of Samuel Maoz are all trapped in one way or another. His 2009 drama, Lebanon, was a blistering critique of Israel's 1982 invasion of its northern neighbor and an impressively sustained exercise in confinement: It unfolded entirely inside a tank, forcing us to see the devastation of war from the limited vantage of four young troops.

It's word-of-the-year time again. Collins Dictionary chose "Fake news" and Dictionary.com went with "complicit." Others have proposed #metoo, "alternative facts," "take a knee," "resistance" and "snowflake."

The Room (2003) has been called the Citizen Kane of bad movies. Eccentric filmmaker Tommy Wiseau wrote, directed and starred in the movie, and it has since developed a cult following. Around the country, fans flock to midnight screenings.

Actor James Franco also found himself drawn to The Room. In 2014, after reading a nonfiction book about the film's creation (called The Disaster Artist) Franco knew he wanted to turn the movie's backstory story into another film.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

In the winter of 1949, a group of judges — including poets T.S. Eliot and Robert Lowell — met to decide the winner of the prestigious Bollingen Prize for the best book of poetry published in the United States the previous year. They gave the prize to Ezra Pound for his collection The Pisan Cantos. Then all hell broke loose.

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TERRY GROSS, HOST:

There's an unforgettable scene in the Netflix documentary Joan Didion: The Center Will Not Hold. Filmmaker Griffin Dunne asks Didion about the legendary moment when, while reporting a piece on the counter-culture in San Francisco's Haight-Ashbury neighborhood, she came across a 5-year-old girl tripping on LSD.

"What was that like?" Dunne wonders. Didion pauses, and replies, "It was gold." Which is to say that the little girl was great material.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

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