Fresh Air on WLRN

Monday - Thursday at 12:00pm
  • Hosted by Terry Gross

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

This is FRESH AIR.

(SOUNDBITE OF ASHLEY MONROE SONG, "WILD LOVE")

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Editor's note: This interview contains language that some readers may find offensive.

This is one weird-but-true story. It's a story that leads readers from 19th century scientific expeditions into the jungles of Malaysia to the "feather fever" of the turn of the last century, when women's hats were be-plumed with ostriches and egrets. And it's a story that focuses on the feather-dependent Victorian art of salmon fly-tying and its present-day practitioners, many of whom lurk online in something called "The Feather Underground."

Journalist Alex Wagner was 12 years old when a line cook in a diner asked her if she was adopted. Wagner was taken aback — her father's family came generations ago from Luxembourg, and her mother came to the U.S. from what was then Burma.

"It was the first time in my life that I realized [that] ... I conceived of myself as generically American, but not everybody else did," Wagner says. "To some Americans, there was no possible way I could naturally be the daughter of this white American; I had to be from someplace else."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

As CNN's chief Washington correspondent, Jake Tapper is often focused on breaking news and the latest political stories, but the host of The Lead and State of the Union switched things up a bit for his latest project.

Tapper's new novel, The Hellfire Club, takes place in 1954 Washington, D.C., during Sen. Joseph McCarthy's Communist "witch hunt." He says that although 64 years separate his characters from today's political players, many of the themes apply.

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TERRY GROSS, HOST:

This is FRESH AIR. Rock critic Ken Tucker has a roundup of some current hip-hop hits he's enjoying. They're songs that range from upbeat dance music to a rap ballad with a moody sound.

In Aug. 2017, many Americans were shocked to see neo-Nazis and members of the so called alt-right demonstrating in Charlottesville, Va. But author Kathleen Belew says the roots of the rally were actually decades in the making.

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TERRY GROSS, HOST:

How do you make a movie about stagnation? A movie that doesn't just tell you a story about someone wasting away, but that seems to embody a state of physical and moral decay for nearly two hours?

It may not sound like a glowing recommendation, but Lucrecia Martel has made such a movie with Zama, her feverishly brilliant adaptation of Antonio di Benedetto's 1956 novel of the same title. This is one of the most atmospheric and transporting films I've seen all year, and also one of the best.

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TERRY GROSS, HOST:

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