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Latin Lion Julio Iglesias Roars At The American Airlines Arena

Stanislav Preska
/
Associated Press

Julio Iglesias spends much of his time in the air these days, crisscrossing the globe in his private plane to sing in concerts from Singapore to Transylvania. But for the several months of the year he is at his home in Indian Creek, an exclusive island enclave just off Surfside, his circle is much smaller.

“I live a very secluded life,” says the 70-year old legend, buzzing the island’s single road in an electric golf cart. “I don’t go to parties for the last 20 years. I don’t go to the Grammys. I don’t go anywhere. They invite me, I don’t go. I don’t have anything to say except when I am singing.

“I know the road to the microphone and from the microphone back. I put on my jacket, put conditioner in my hair. And I think I am the luckiest man in the world.”

Iglesias is not quite as lucky as in his glory days in the 1970s and ’80s, when he broke concert ticket-sales records and sent legions of women swooning. When he performs Saturday night at the AmericanAirlines Arena, it will be the largest venue of a U.S. tour that’s taking him mostly to casinos and smaller cities.

But for millions of fans from China to Chile, Arizona to Israel, Julio Iglesias still embodies the Latin crooner, the suave seducer, the romantic fantasy. For Latinos, he was the man men wanted to be and women dreamed of being with. He is a global icon who has sung and recorded in more languages than any other artist, crossing over before crossover was a concept.

The Miami Herald's Jordan Levin interviewed Iglesias. Hear her interview below, and read the full story at MiamiHerald.com.

Jordan Levin has been an arts and entertainment reporter and critic at the Miami Herald since 1999, covering dance and performance, Latin and pop music, and cultural features. Since 2010 she has been writing and producing radio features for WLRN-Miami Herald News, two of which aired on NPR. As a freelancer, she has written for the Los Angeles Times, the New York Times, the Wall Street Journal, and Latina, Billboard and Ocean Drive magazines, among others. Before turning to journalism, she was a dancer/performer in New York City and an arts presenter in Miami.
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