David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
11:50 am
Fri October 18, 2013

At Home At Sea: Robert Redford, At His Best Alone

Robert Redford stars in All Is Lost as a solitary man struggling to make his yacht seaworthy again after it collides with a rogue shipping container adrift in the Indian Ocean.
Richard Foreman Roadside Attractions/Lionsgate

Originally published on Fri October 18, 2013 3:38 pm

As I watched Robert Redford acting all by himself in the superlative survival-at-sea movie All Is Lost, I suddenly realized why the setup feels so perfect: Redford is most in his element when he's alone.

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Movie Reviews
12:11 pm
Fri October 11, 2013

A Pirate Saga More Sobering Than Swashbuckling

Barkhad Abdi (middle) plays Muse, the leader of a band of Somali pirates who take over a freighter in Captain Phillips.
Hopper Stone Columbia Pictures

Originally published on Fri October 11, 2013 1:52 pm

Most kidnapping melodramas have final scenes — after their climaxes — that are, effectively, throwaways. There are sighs of relief, tearful reunions with families, cameras that dolly back on domestic tableaux to suggest the world has at last been righted.

I think it's telling that in Captain Phillips the most overwhelming scene is after the resolution, in the infirmary of a ship. So much terror and moral confusion has gone down — so much pain — that the cumulative tension can't be resolved by violence. The movie's grip remains strong even when it cuts to black.

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Movie Reviews
1:58 pm
Fri October 4, 2013

Houston, We Have A Space Flick: A Sentimental Mission In Zero 'Gravity'

In Alfonso Cuaron's Gravity, Sandra Bullock plays Ryan Stone, an astronaut careening through space after an accident.
Warner Bros.

Originally published on Fri October 4, 2013 2:51 pm

In a season in which we're all talking about AMC's phenomenal Breaking Bad and Netflix's elating Orange Is the New Black, Hollywood needs you, your kids and everyone in Europe and China to get out from behind those TV monitors and into theaters. Movie studios are falling behind on compelling narratives. But they can give you what TV can't: absolute, total bombardment.

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Movie Reviews
12:16 pm
Fri September 27, 2013

Gordon-Levitt's 'Don Jon' Is An Openhearted Directorial Debut

Joseph Gordon-Levitt --€” in his writing and directing debut --€” plays Jon, a porn addict with no interest in relationships until Barbara (Scarlett Johansson) changes things.
Relativity Media

Originally published on Fri September 27, 2013 2:15 pm

In phe last decade, Joseph Gordon-Levitt has worked hard to establish himself as a serious actor, and he's been so successful it's easy to forget he came of age in the '90s sitcom 3rd Rock from the Sun. The guy has comedy chops, and he's exercising them again in a smart new movie he wrote and directed called Don Jon.

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Movie Reviews
1:42 pm
Fri September 20, 2013

Gandolfini Is So Vivid In 'Enough Said,' You Forget He's Gone

James Gandolfini plays a divorced TV archivist who falls in love with a divorced masseuse, played by Julia-Louis Dreyfus, in Nicole Holofcener'€™s Enough Said.
Lacey Terrell Fox Searchlight

Nicole Holofcener's Enough Said is her most conventional comedy since her 1996 debut, Walking and Talking. I don't love it as much as her scattershot ensemble movies Friends With Money and Please Give, but it has enough weird dissonances and hilarious little curlicues to remind you her voice is like no other. I love it enough.

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Movie Reviews
1:27 pm
Wed August 28, 2013

Reaching Across What's Broken, 'Short Term' Fix Or No

In Short Term 12 — named for the youth facility where it's primarily set — John Gallagher Jr. and Brie Larson play young counselors not too far removed from their own adolescent struggles.
Cinedigm

Originally published on Fri August 30, 2013 4:02 pm

It's easy to make fun of a certain kind of therapeutic language — the kind you hear all through the movie Short Term 12.

That title comes from the name of a group home for abused and/or unstable teens. Early on, a young counselor named Grace (Brie Larson) tells one smart-mouthed kid that "your attitude is not helping either one of us" — which would tend to make her a repressive drag in a typical Hollywood teen picture.

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Movie Reviews
1:15 pm
Fri August 23, 2013

Boozy Bromance 'World's End' Rises Above Its Lowbrow Tactics

Nick Frost (from left), Eddie Marsan, Simon Pegg, Paddy Considine and Martin Freeman play a group of friends who reunite for a pub crawl challenge in The World's End.
Laurie Sparham Focus Features

Originally published on Fri August 23, 2013 3:30 pm

The World's End is a world-shaking, genre-bending, sci-fi comedy, and a splendid capper to what British writer-director Edgar Wright and actor-writer Simon Pegg call their "Cornetto trilogy," for an ice cream they eat on their side of the Atlantic. This one's arguably the best of the three, but who wants to argue over gorgeous satires like Shaun of the Dead, Hot Fuzz and The World's End? It's like ice cream flavors: Have them all.

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Movie Reviews
12:50 pm
Wed August 7, 2013

A Future Where Class Warfare Is Much More Than A Metaphor

Jody Foster plays her political opposite as the brutal secretary of defense in Elysium.
Kimberley French Sony Pictures

Originally published on Wed August 7, 2013 3:19 pm

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Movie Reviews
1:34 pm
Fri August 2, 2013

A Good Girl And A Lost Boy, Looking For A Way Forward

Shailene Woodley, who played George Clooney's rebellious daughter in The Descendants, turns in a splendidly calibrated performance as a soft-spoken good girl who falls hard for a high school party animal (Miles Teller) in The Spectacular Now.
Wilford Harewood

The teen romance The Spectacular Now is by turns goofy, exhilarating, and unreasonably sad — just like being a teenager.

It centers on a fast-talking, hard-drinking high school party animal named Sutter Keely, who boasts of living for today and in the now — instead of, say, studying — and how he takes up with a girl named Aimee, who's the opposite of a party animal.

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Movie Reviews
11:57 am
Fri July 26, 2013

'Blue' Rhapsodies: Woody Allen, In Need Of New Tricks

Ginger's (Sally Hawkins) best moments happen while in the company of a persistent suitor named Al (Louis C.K.).
Merrick Morton Sony Classics

Originally published on Fri July 26, 2013 1:40 pm

Another year, another Woody Allen picture, and few agree on whether that's a good thing. For some, he hasn't made an interesting film since Husbands and Wives, maybe even Hannah and Her Sisters. Others think more recent morality plays like Match Point and comic parables like Midnight in Paris prove the old dog still hunts.

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Arts & Life
12:38 pm
Fri July 19, 2013

Two Documentaries Examine Violence, Human And Animal

The new documentary Blackfish looks at the practice of keeping orca whales in captivity.
EPK

Originally published on Fri July 19, 2013 1:49 pm

Two documentaries, Blackfish and The Act of Killing, are making waves around the world. The first riles you up; the second blows your mind.

"Blackfish" is the Inuits' name for the orca, a creature that they say is worthy of veneration but that you don't want to mess with — the chief example in Gabriela Cowperthwaite's Blackfish being Tilikum, responsible for two, possibly three human deaths.

The movie is Tilikum's story — along with the story of other orcas kept in captivity in theme parks like SeaWorld.

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Movie Reviews
1:56 pm
Fri July 12, 2013

Introducing Oscar Grant, The Man Behind The Headlines

Based on a true story, Fruitvale Station won the Grand Jury Prize at the 2013 Sundance Film Festival. Michael B. Jordan stars as Oscar Grant and Ariana Neal stars as his young daughter, Tatiana.
Cait Adkins The Weinstein Co.

Originally published on Fri July 12, 2013 2:44 pm

The actor Michael B. Jordan gives a major performance in Ryan Coogler's debut film, Fruitvale Station. He plays 22-year-old Oscar Grant, who was shot in a run-in with cops at an Oakland, Calif., train stop in the early hours of 2009. The film opens with cellphone footage of the actual event, so you know what's coming. But the Oscar you meet on the last day of 2008 remains a man, not a martyr.

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Movie Reviews
1:16 pm
Wed July 3, 2013

'The Lone Ranger': Summer Fun With Manifest Destiny

Armie Hammer stars as the Lone Ranger in a new Disney adaptation.
Film Frame Disney

Originally published on Wed July 3, 2013 1:42 pm

We're at the point when Johnny Depp's dumbest whims can lead to movies costing $200 million. I imagine Depp lying in a hammock on his private island and saying, "I've always wanted to play Barnabas Collins in Dark Shadows!" and it's done. Then he says, "I've always wanted to do The Lone Ranger — but as Tonto!" and it, too, gets the green light.

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Movie Reviews
3:01 pm
Thu June 27, 2013

Two Master Moviemakers, Two Singularly Fine Films

Saoirse Ronan plays Eleanor, an ancient (and uncharacteristically ethical) vampire in Neil Jordan's Byzantium.
IFC Films

The decade of the 1980s — when major corporations made their presence more felt in Hollywood — was for all kinds of reasons a low point in American moviegoing. But two beacons abroad, Pedro Almodovar and Neil Jordan, reminded us with movies like Law of Desire, Women on the Verge of a Nervous Breakdown and Mona Lisa how films could be personal and still reach a large (or large-ish) audience.

Thirty years later, we have Almodovar's I'm So Excited and Jordan's Byzantium — and these directors are still shining a light.

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Movie Reviews
1:03 pm
Fri June 14, 2013

Whedon's Touch Finds A Match With 'Much Ado'

Fran Kranz stars as Claudio in Joss Whedon's new take on Shakespeare's classic comedy Much Ado About Nothing.
Elsa Guillet-Chapuis Roadside Attractions

Originally published on Fri June 14, 2013 1:31 pm

One word sums up my reaction to Joss Whedon's film of Shakespeare's Much Ado About Nothing: Huzzah!

Here is the creator of Buffy the Vampire Slayer — and the director of The Avengers — working with American TV actors who have little or no training in verse-speaking. Who could have predicted such a team would produce the best of all filmed Shakespeare comedies?

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